The Indicator x The Student: “The Moldau”
Clara Chiu ’27 captures the ache of connection, set against a landscape of nostalgia, in a poem alongside a painting by Annabelle Chen ’27. Originally published in the Fall 2024 edition of The Indicator.
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And in those gaps that mediate truth, I’ll wait for you in the field we talked of, grass tall enough to dream in but parted to fit your body and mine. The sun-drunken earth shatters against our backs, but there’s a kind of dignity in suffering that only children know about. We’ll spill this secondhand youth across clouds that yearn for abstraction; those figured inventions of cumulus, clarified in the aftermath of fiction. The hills are our portrait, sketched by the trajectory of your fluorescent voice drifting through a California pastoral. In the echoes, I’ll take your words, slip them under my rib cage in place of a heartbeat. I call this twenty-first century medicine, but mostly I’m amazed we still have the capacity to smile. That, in the dimples of our abandon, I seek your eyes, darker than the tea in China dumped overboard from the box that carried you to shore. Or, with the seriousness of a white man: I’d drink it all, and then some.
Forgive me. Your gaze empties my dictionary of all but cliché. As in the
movies, I’m still struggling to exist in the subjunctive. Let me peel
myself from the literal into your thumb-smudged horizon lines. Stay
here, in this imagined moment. By the gentle way the morning
receives our faces, we can hide from gravity a little while
longer. Make a nostalgia the color of home. A silent
reverie cupped in my palm . . . let it touch you.
Between our fingers language corrodes
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