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Amaya Ranatunge '28

Contributing Writer

Spring Concert: What Went Wrong?

Spring Concert: What Went Wrong?

Despite soulful sets from talented artists, this year’s Spring Concert drew a sparse crowd and left many students underwhelmed. Staff Writer Amaya Ranatunge ’28 questions whether the event still lives up to its reputation and calls for bolder artist choices to revive the concert’s fading spark.

Everett, Jefferson, and Wright: “American Fiction”

Everett, Jefferson, and Wright: “American Fiction”

Staff Writer Amaya Ranatunge ’28 reports on LitFest’s kick-off with “The Making of American Fiction,” a compelling panel between author Percival Everett, filmmaker Cord Jefferson, and actor Jeffrey Wright ’87.

Professor Publishes Exploration of Literary Loneliness

Professor Publishes Exploration of Literary Loneliness

The Center for Humanistic Inquiry hosted a book launch for “Singing by Herself,” where Associate Professor of English Amelia Worsley explores how feminized figures shape literary loneliness. Staff Writer Amaya Ranatunge ’28 highlights panelists’ discussion of solitude, gender, and emotion in poetry.

Beaming with Pride: Amherst Students Leave their Mark on Future Dining Commons

On Wednesday, students wrote themselves into Amherst history by leaving their permanent mark on the new Student Center and Dining Commons coming Fall 2026. Staff Writer Amaya Ranatunge ’28 spoke to students about the significance of this experience.

The Real Death of Bertha Mason

Amaya Ranatunge ’28 reviews “Wide Sargasso Sea” by Jean Rhys, a story about power, identity, and the price of silence. She highlights the novel's achievement in challenging “Jane Eyre's” image of the crazy woman in the attic and its value in a world where so many voices remain unheard.

ASO Welcomes Families with Tchaikovsky

ASO Welcomes Families with Tchaikovsky

The Amherst Symphony Orchestra performed a Family Weekend performance of Tchaikovsky’s masterpieces. Amaya Ranatunge ’28 covers the event, which featured a solo from Tara Alahakoon ’25 and a tribute to the late Professor Jeeyon Jeong.