Yilin Andre Wang ’14

The fourth annual Massachusetts Dance Festival, held over the past weekend at UMass, is one of the rare events in the region that make you forget the remoteness of Amherst from fine arts hubs such as Boston and New York. Indeed, the eleven dance companies that put on a fast-paced,

I am not a fan of voice-over movie trailers. To me, a narrator’s voice trying to glamorize an upcoming film alienates me from the actual story and belittles my intelligence, for it bears the assumption that I can’t evaluate the film’s potential without someone explaining to me

Imagine the following scenario: your country has endured a dictator’s rule for 15 years. The economy has grown, but so has the number of casualties of its political unrest and the government’s stranglehold on freedom. Now your people have the chance to vote him out, but they are

Tanya Tagaq, the Inuit throat singer who held a concert at the Buckley Recital Hall last Friday, cracked a light joke shortly before her performance began. Amplified by the microphone that she tore from the stand, her hearty laugh rumbled and echoed in the air. She kicked aside her high

At first, “Side Effects” looks like another jab at the pharmaceutical industry. Coping with her husband’s release from jail, Emily (Rooney Mara) finds herself sliding deep into depression. Following a public meltdown and a suicide attempt, she begins to receive treatment from Dr. Banks (Jude Law), who prescribes some

In one of the decisive scenes in “Silver Linings Playbook,” Pat Solitano Sr. (Robert De Niro) strikes a parlay with his gambling friend while the rest of the crowd in the house — including his son Pat (Bradley Cooper) and Pat’s dance partner Tiffany (Jennifer Lawrence) — fire their opinions in

In what is probably not a good start to 2013, I am breaking two of my own rules for film reviews in writing about “Amour.” First, I read other film critics’ reviews halfway through drafting. Still baffled and frustrated, I then decided to frankly tell you that I don’t

Survival films allure us with a scenario that is thankfully distant yet palpably visceral. Civilization absent, society invisible, norms abandoned, life threatened and despair the fabric of everyday existence, the dire circumstances that a survivor faces grip the audience with suspense. Yet the true charm of survival films lies not

The 23rd and latest installment of the iconic spy film series by Ian Fleming, “Skyfall” is slick, sexy, exciting and above all, classic James Bond. Its loyalty to the franchise is rivaled only by that of Bond to MI6, the British intelligence agency that falls under attack both from an

Watching Meredith Monk was a dream come true for me. Indeed, her concert had the rare magic of teleporting me from the Buckley Recital Hall to imaginary landscapes: when she performed parts of “Songs from the Hill” (1977), I was watching her at the top of a mountain in New

Fireworks never flash across the screen, but “The Master” celebrates the genius of acting, screen-writing, set design, directing and almost everything else about cinema with no less fuel and splendor. It is your typical Oscar suspect: an art-house independent film with more than a streak of ambition, an idolized director

You might not be familiar with the name Lasse Hallström, but if you were once a softie like me who used to fall for eye-candy cinematography, a twist of love and life philosophy and breezy plots, you might have dwelled happily on such films as “What’s Eating Gilbert Grape”

Writing on a film that makes more money in its opening weekend than the combined domestic box office of all the films I have reviewed for The Student in over a year is quite a departure for me in many ways. For one, instead of having an entire theater to

A seven-year gap is not long enough for Alexander Payne to erase his penchant for contemporary satire nor alter his signature style. With “The Descendants,” his first directorial feature since the now legendary independent hit “Sideways,” an Academy-Award winning black comedy released in 2004, the Payne formula seems to be

Stargazing has never been so devastating. “Melancholia,” the latest work by controversial Danish director Lars von Trier (“Breaking the Waves,” “Dogville,” “Antichrist”) pieces together the final days before the end of the world through two sisters with opposite personalities, the impulsive but charming Justine (Kirsten Dunst) and the controlled, serious

Warm, sentimental and funny, “Midnight In Paris” beautifully explores the clash of nostalgia and reality among fantastical encounters. Director Woody Allen takes us on an exquisite journey through time, spanning across the present, the 1890s and the 1920s — in the City of Light that reeks of wine, music, poignancy and