The Indicator x The Student: “I Write American” In this edition of The Indicator x The Student, Priscilla Lee ’25 explores perspective and autofiction through an immigrant lens.
ASO Welcomes Families with Tchaikovsky The Amherst Symphony Orchestra performed a Family Weekend performance of Tchaikovsky’s masterpieces. Amaya Ranatunge ’28 covers the event, which featured a solo from Tara Alahakoon ’25 and a tribute to the late Professor Jeeyon Jeong.
Film Society x The Student: “Hundreds of Beavers” In this week’s Film Society review, Max Feigelson ’27 argues that 2022’s “Hundreds of Beavers” is the perfect synthesis of slapstick comedy and video games.
The Indicator x The Student: “The Hoarder” Venumi Gamage ’26 explores personhood in this visceral, body horror-inspired prose poem.
The Indicator x The Student: “Notes from Nothing” Originally published in the Spring 2024 issue of “The Indicator,” Managing Opinion Editor Willow Delp ’26 explores the objectification of a person within a relationship in their poem.
Film Society x The Student: “Conclave” In this Film Society x The Student review, Caden Stockwell ’25 argues that “Conclave,” a film that follows the election of a new pope, bears striking similarities to this year’s election season.
Peach Pit’s “Magpie” Gets Stuck in the Pit Olivia Tennant ’27 reviews indie pop band Peach Pit’s latest album, “Magpie,” calling it a dull and uninspired work from the typically innovative group.