Arts & Living

In a partnership with the Office of Student Life and the Multicultural Resource Center, photographer Steven Rosenfield visited the college between Feb. 2 and Feb. 5 to work with students on Amherst Community Photo Project. Rosenfield is known for his “What I Be” project, a collection of photographs paired with

Saoirse Ronan (“The Lovely Bones,” “Hanna” and “The Grand Budapest Hotel”) and Emory Cohen (“The Place Beyond the Pines” and “The Gambler”) dazzle in “Brooklyn,” a historical drama set in the early 1950s. The film is directed by John Crowley (“Intermission” and “True Detective”) and is based on Colm Tóibín’

“Anomalisa,” this year’s animated darling for many top-notch film critics, has been touted as the “most human film of the year,” sans any humans on the screen. From the creative mind of screenwriter and director Charlie Kaufman, “Anomalisa” emerges as a stark contrast from its competitors in the Academy

There’s something quite comforting to be found in the caffeinated, jittery sound that is Toronto-based Indie Rock band, Born Ruffians. The band, inspired by groups like Talking Heads and Pixies, has stayed loyal to the under-produced sound that is quintessentially indie. This remains true for their recent 2015 release,

Evan Paul ’18 Staff Writer About three songs into Cage the Elephant’s newest release “Tell Me I’m Pretty,” I had to double check that I was playing the album on Spotify and not the artist’s radio station. That’s how closely lead singer Matthew Shultz’s drawl

To find an Iñárritu film during the cinematic famine that comes around every January is to find an oasis in an oft-traversed desert. The Mexican director has efficiently carved a hobbit hole in the mainstream moviegoer’s consciousness, and “The Revenant” is an unabashedly loud stroke of the chisel that