The Indicator x The Student: “Strokes of Vermilion” Featured in the Fall 2025 issue of the Indicator, Sarria Joe ’27 shares “Strokes of Vermilion,” a story about the pain of lost love and making the choice of prioritizing independence over intimacy.
Valchemy: Is This a “Surf-and-Turf” Melt Recipe? For the first time this semester, Valchemy is back! To kick it off, Managing Arts & Living Editor Mila Massaki Gomes ’27 shares her unconventional sandwich combination, bringing together the land and the sea.
Emotion, Love, Struggle, and Drama on the Screen To escape the drama on campus, sit back and watch other people's problems in the new movie, “The Drama.” Discussing the elements that make this movie such a hit (without spoilers!), Assistant Editor Amber Lee ’28 analyzes the film's highlights.
Ninth Annual Black Art Matters Visual Arts Showcase Highlights “Inclusivity, Community, Sharing, and Celebrating” With the opening of the ninth Black Art Matters (BAM) Festival on March 3, Contributing Writer Isabelle Sloan ’28 shares details and background about the program and some of the artworks exhibited this year.
The Indicator x The Student: “I Go Back to Jamjar” From The Indicator’s Spring 2026 issue, “I Go Back to Jamjar” by Venumi Gamage ’26 paints a picture of love as a dance of the senses — sticky marmalade, warm sunlight, and skin against skin — that consumes body and mind alike.
The Indicator x The Student: “Blood of ’02” “Blood of ’02” by Jorge Rodríguez Jr. ’26 tells an eerie story of two young boys’ realization that their uncle has disappeared. From The Indicator’s Spring 2026 issue, this story explores uncertain yet palpable loss.
Revisiting Shakespeare: “As You Like It” For this week’s “Revisiting Shakespeare,” Editor-in-Chief Edwyn Choi ’27 discusses the comedy “As You Like It.” In this article, Choi dives into the absurdities and playfulness of the plot and also notes its lasting relevance in the academic and legal worlds.