The Indicator x The Student: “dead on arrival” Originally published in the Fall 2022 edition of “The Indicator,” Managing Arts & Living Editor Madeline Lawson ’25 writes about an all-encompassing obsession.
The Indicator x The Student: “Skies Beyond Skies” Pauline Bissell ’25 speaks wistfully about an old relationship in a poem originally published in the Fall 2022 edition of “The Indicator.”
“Survivor”: Season 44, Episodes 2 & 3 You may have survived spring break, but did you survive without last week’s “Survivor”? Columnist Vaughn Armour ’25 recaps the last two episodes, which solidified some relationships and tensions in this season.
The Oscars in Miniature: The Nominated Short Films On Sunday, the Academy Awards will laud winners for short films. Ruth Zuraw ’25 reviews each film in the live action and animation categories, providing her recommendations for short movie nights.
“The Milk Man” Brings all the Viewers to the Yard AC Production Company premiered its first film “The Milk Man” on Saturday, Feb. 18. Staff Writer Joe Sweeney ’25 is ambivalent towards the mockumentary, which follows a student who makes the best milkshake Amherst College has ever seen.
WAMH x The Student: Fiona Apple Feminine rage has long been a topic of Fiona Apple’s music, particularly in her 2020 album “Fetch the Bolt Cutters.” Sylvie Wolff ’25 explores the harsh and experimental album that implores women to speak out.
Time-Warped Records: “Play” In this edition of Time-Warped Records, Columnist Alden Parker ’26 reviews Moby’s 1999 album “Play,” which catapulted the musician from has-been to worldwide superstar.