Retrospective on “The Sandman”
“The Sandman,” a comic series written by Neil Gaiman, recently received a Netflix adaptation. Ross Kilpatrick ’24E reviews the comic, which thrills with cosmic ideology but sometimes suffers from a slow plot.
Arts & Living
WAMH x The Student: “BREAK THE CURSE”
Arlie’s “BREAK THE CURSE” is the band’s debut album, taking listeners on a journey full of nostalgia and relief. WAMH Publicity Director Helen Feibes ’23 reviews the album and relives her beloved band’s live concert in Cambridge.
Disney’s D23 Expo: Sequels, Shorts, and Spinoffs
Disney’s 14th annual D23 exposition featured exciting announcements of upcoming projects but left fans unsatisfied with disappointing omissions of highly anticipated updates. Vaughn Armour ’25 breaks it all down, analyzing casting choices and new trailers, and predicting future announcements.
Ghostlight: Amherst’s Newest Theater Haunt
Amherst’s newest student-run theater group, Ghostlight, is currently preparing for their first production, a “Triple Feature” later this month. Managing Arts and Living Editor Alex Brandfonbrener ’23 sits down with Matt Vitelli ’24 to discuss the founding and future of the group.
“Tuca and Bertie”: A Comedic Look at Modern Adult Life
Adult animation has had a resurgence on Netflix, including cult hits such as “Bojack Horseman” and “Tuca and Bertie.” Joe Sweeney ’25 reviews the latter, which follows two birds as they deal with adult problems, such as relationship issues.
The Indescribable Beauty of “Mad God”
Visual effects artist Phil Tippett shines in his sophomore directorial project, “Mad God.” Miles Garcia ’25 takes the reader through the lovingly crafted film, which features incredible practical effects and a transcendent story.
Don’t Say “Nope” To Jordan Peele’s Newest Film
Cole Warren ’24 breaks down Jordan Peele’s new horror film “Nope,” criticizing the movie’s spectacle and suspense, antithetical to the film’s theme of exploitation in Hollywood, while still declaring it the summer’s best blockbuster.