“My Brilliant Friend” adapts Elena Ferrante’s “Neapolitan Novels” into HBO’s first foreign language series. Kaelyn Milby ʼ22 reviews the series, which follows two friends from childhood to adulthood in twentieth century Italy.

Vaughn Armour ’25 recaps the ninth episode of “Survivor,” as the number of castaways decreases and the stakes increase. He notes that one particular player is emerging as the lead competitor.

“Step Into…The Movies” resurrects famous Hollywood dance scenes with a star-studded cast list. But Eren Levine ’24 notes that the TV special lacks the charm, intrigue, and focus on dancing that she expected it to have.

The eighth episode of this season of “Survivor” revealed more strained relationships among the eight remaining castaways. Vaughn Armour ’25 reflects on the history of racial biases in the show and explains how the current cast is flipping the script.

The seventh episode of this season of “Survivor” premiered last Wednesday. Vaughn Armour ’25 reviews the episode, which was predictable, yet enjoyable and entertaining.

HBO Max’s “The Night House” is an unconventional yet terrifying horror movie. Cole Warren ’24 analyzes the film, which follows a distraught widow trying to untangle her late husband’s true identity while being plagued by a supernatural entity.

The sixth episode of this season of “Survivor” aired on April 13. Vaughn Armour ’25 gives us the rundown of the special two-hour episode, which features a merge between the three tribes.

The much anticipated “Everything Everywhere, All At Once,” directed by Daniel Kwan and Daniel Schienert, premiered on Friday, April 8. Miles Garcia ʼ25 covers the twists and turns of the film, which is both a family drama and “an off-the-wall sci-fi multiverse adventure.”

Things have been heating up in “Survivor” Season 42! Vaughn Armour ʼ25 recaps the action of episode 5 and shares his predictions for the rest of the season.

Sarah Weiner ʼ24 reports on two ongoing film festivals, the Ibero-American Hybrid Film Festival and the Massachusetts Multicultural Film Festival, which feature global perspectives and often marginalized stories.

Diego Duckenfield-Lopez ’24 of the Amherst College Film Society explores Kogonada’s “After Yang,” and how the film reimagines common sci-fi tropes of androids to scrutinize social classifications.

Eren Levine ʼ24 analyzes the new cinematic remake of Agatha Christie’s “Death on the Nile.” The new adaptation is a fresh twist on the story last adapted in 1978, incorporating the political circumstances of 2022.

Episode four of “Survivor” was less riveting than the last, but still delivered for Vaughn Armour ʼ25. He recaps the building tension and excitement of this week’s episode.

Cole Warren ’24 reviews the Oscar-nominated, controversial “Licorice Pizza,” which follows the romance of a 15-year-old and a 25-year-old in 1970s Hollywood.

The third episode of “Survivor” Season 42 kept viewers on the edge of their seats. Vaughn Armour ’25 recaps the strategy and drama of this week’s episode.

“Survivor” is back for Season 42, and Vaughn Armour ’25 summarizes the action of the first two episodes.

Eren Levine ʼ24 reviews Hulu’s “How I Met Your Father,” a spin-off series that cleverly integrates elements of the original show, “How I Met Your Mother,” into a unique, enjoyable new comedy.

“The Batman” began showing in theaters this Friday, March 4. Ross Kilpatrick ʼ24E explores how the character’s latest iteration builds on Christopher Nolan’s “The Dark Knight” trilogy, adapting to the cynical and pessimistic political climate of 2022.

Joe Sweeney '25 reviews "Drive My Car," the first Japanese film to be nominated for a Best Picture, which follows an aging theatre director who bonds with his young chauffeur after the death of his wife.

Davis Rennella '24 reviews A24's adaptation, "The Tragedy of Macbeth," directed by Joel Coen. The film's unconventional set design and focus on the inanimate make the film a unique take on Shakespeare's classic play.

Disney's new animated movie "Encanto" has received widespread acclaim. But for many viewers, it resonates on a personal level. Piero Campos '25 discusses Latinx culture and family dynamics within the plot.

Amherst College Film Society's Aidan Orr '24 and Diego Duckenfield-Lopez '24 explore the ways Studio Ghibli's "Whisper of the Heart" validates anxieties about love, dreams, and the future in adolescents and adults alike.

As with many other cult classics, Netflix recently remade legendary horror film "Texas Chainsaw Massacre." Cole Warren '24 explores all the reasons why the remake is a pale imitation of the original, exploiting sensitive subjects in favor of cheap scares.

Managing Arts and Living Editor Alex Brandfonbrener '23 compares Netflix's live action remake of "Cowboy Bebop" to the original anime show. Despite similarities to the original, the remake is so disappointing that he couldn't even make it through the first scene.

"Dexter: New Blood" wrapped up the original series in a ten-part sequel with a satisfyingly grim ending. Assistant Arts and Living Editor Brianne LaBare '25 explores the binge-worthy series and its effect on the legacy of the "Dexter" franchise.