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Harry Finnegan ’28

Contributing Writer

Memos From the Film Society: “The Testament of Ann Lee”

Staff Writer Harry Finnegan ’28 shares his thoughts on “The Testament of Ann Lee,” a musical biopic about the female leader of the Shaker movement. In his review, Finnegan discusses the integrity of the plot, as well as the performances of the actors and the director's creative choices.

Educators Discuss Censorship in K-12 Classrooms

On Nov. 19, educators Jamel Donnor and Brendan Gillis discussed ongoing censorship in K-12 history education under the current federal administration. The talk examined the role of state education standards in combating censorship, as well as broader concerns about the future of history education.

The New “Tradition” of Poet Jericho Brown

The New “Tradition” of Poet Jericho Brown

Staff Writer Harry Finnegan ’28 reports back from the second annual Rhonda Cobham-Sander Lecture, where Pulitzer Prize-winning poet Jericho Brown captivated the audience with his inventive “duplex” poems and spellbinding stage presence.

Campus Summer Programs to Continue Amid Uncertainty

Campus Summer Programs to Continue Amid Uncertainty

College preparations to transition dining operations over the summer sparked concerns about the cancellation of summer programs like SURF, with uncertainty about the college’s ability to support student dining. The administration confirmed summer operations will continue as planned.

Memos From the Film Society: “One Battle After Another”

Memos From the Film Society: “One Battle After Another”

Paul Thomas Anderson’s “One Battle After Another” is one of the year’s most acclaimed films, hailed by many as an instant classic. In his review, Staff Writer Harry Finnegan ’28 examines the film to uncover what its widespread acclaim reveals about how we define cinematic greatness.

Memos From the Film Society: “Twinless” Reviewed

Memos From the Film Society: “Twinless” Reviewed

From grief to obsession, mirrors to missed connections, “Twinless” isn’t your typical twin story. Contributing writer Harry Finnegan ’28 dips into the striking dual performance in this rising film that embodies loneliness and the search for missing halves.