Freshman Add/Man Period
Cartoonist Emi Eliason ’22 comments on the social anxieties and hardships of being a new first-year.
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Ovation or Ballistic Missiles: The Schism of ’NAZA’
Contributing writer Daniel Shen ’30 offers his insight into the controversy surrounding Israeli filmmakers Yuval Abraham and Rachel Szor's 2026 documentary “NAZA.” He encourages viewers to exercise discernment when engaging with the film and the various responses to it.
Going From ‘To Catch A Predator’ to ‘Primetime’
In this review of Lance Oppenheimʼs 2026 film “Primetime,” Contributing Writer Hayliann Smith ʼ28 provides context for the film’s focus: Chris Hansen’s TV show “To Catch a Predator,” and discusses the show’s moral ambiguity. Is a good cause still honorable when the motive behind it is profit?
‘The History of Concrete’ Review
You could watch “The History of Concrete” for the concrete, but you’d miss the point. In this review, Staff Writer Harry Finnegan ‘28 explains why John Wilson’s tangents hold the film’s heart, and its beauty.
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