Julian Raiford '21

On her latest LP and sixth studio album “Norman Fucking Rockwell!”, Lana Del Rey pens a troubled homage to an America that is caught between a rich history of art and poetry, and a future that grows increasingly grim in light of modern politics. Del Rey offers no solutions, but

The most recent top pop music charts would suggest that the sound of summer 2019 falls somewhere between Billie Eilish’s “Bad Guy” and Shawn Mendes’ and Camila Cabello’s “Señorita.” And, yes, somehow Lil Nas X’s long running hit single “Old Town Road” and its many remixes have

What do people and boxes all have in common? According to the performance artists in Whoop Dee Doo’s interactive art installation “Have You Seen the Ghost of John?”, the answer is the right to fall in love. Although the show was held in collaboration with Macon Reed’s “On

Since her 2016 debut, conservative chord progressions and moving vocalizations have marked the style of Sydney-based singer Julia Jacklin. The intonation she carries feels kin to that of fellow dreamy alt-folk singer Angel Olsen. However, unlike Olsen, Jacklin has recently found more edge in her lyrics and a shocking level

t first glance, the album cover for R&B singer Solange’s recently-released “When I Get Home” appears to be a partner piece to her 2016 album, “A Seat at the Table.” Both covers feature a stripped-down headshot of Solange, and even though little has changed in the technical making