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Arts & Living

“Ancestral Bridges”: Amherst’s Black and Afro-Indigenous History

“Ancestral Bridges”: Amherst’s Black and Afro-Indigenous History

“Ancestral Bridges,” a new exhibit that premiered in Frost last week, maps the history of a sixth-generation Black and Afro-Indigenous family in Amherst. Managing Arts & Living Editor Noor Rahman ’25 covers the opening reception, which features a photo gallery and historical artifacts.

Content, Creation, Come-Up: Gregory R. Smith III ’25

Content, Creation, Come-Up: Gregory R. Smith III ’25

Kobe Thompson ’24 sits down with Gregory R. Smith III ’25, a multi-instrumentalist and songwriter who has recently risen in popularity, to discuss his process and his journey as a self-made musician.

“Gods and Monsters:” DC Studios’ Last-ditch Expansion

“Gods and Monsters:” DC Studios’ Last-ditch Expansion

Last month, DC Studios announced the first chapter of their upcoming extended universe, with plans for ten new projects. Vaughn Armour ’25 sees this as the studio’s final attempt to shift towards a more cohesive and distinct cinematic universe.

Val Hacks: Strawberry Shortcake

Val Hacks: Strawberry Shortcake

“Val Hacks” is a column dedicated to exploring the culinary possibilities of Valentine Dining Hall. This week, Ivy Haight ’25 presents her recipe for strawberry shortcake.

Campus Art (and Food) for All

Campus Art (and Food) for All

Students, staff, and faculty gathered in Valentine Hall for the “Campus Art for All Inaugural Exhibition,” featuring work from students and staff. Managing Arts and Living Editor Alex Brandfonbrener ’23 breaks down the story behind the event’s inception, as well as the artists’ inspirations.

A Tale of Two Theses in Buckley Recital Hall

A Tale of Two Theses in Buckley Recital Hall

On Feb. 4, the Music Department produced two senior theses: “The Second Seed,” a composition thesis by Sam Wright ’23, and “Einheitswanderschaft,” a vocal thesis by Patrick Spoor ’23.

Time-Warped Records: “Graceland”

Time-Warped Records: “Graceland”

In his inaugural edition of Time-Warped Records, Alden Parker ’26 reviews Paul Simon’s 1986 album “Graceland,” detailing Simon’s experience recording in South Africa during apartheid.